One scene, two frames.
Taking the same story from a wide screen into the palm of your hand.
A wide architectural scene becomes a very different composition on a phone. To keep the character, text and sense of place together, we considered each scene’s mobile framing separately.
First, what belongs in the frame
The Shiba’s face, a defining architectural detail and space for readable text. The relationship between these three elements changes from scene to scene. In the mobile videos, horizontal framing is adjusted for each scene.
Reconsidering where the words belong
In Galata and the Alhambra, text sits in the lower part of the scene. In the Pantheon, it stays within the physical panel. In Cappadocia, the contact form continues in the normal flow below the scene. These decisions follow the space available in each place.
Touch has its own scale
A link’s visible line may be fine, while its touch area needs enough room to be selected comfortably. In the mobile interface, we consider control sizes, long headlines and line breaks in both languages together.
The same story, composed again for the screen.SHIBAGENCY
